Member Profile: Ariana Montanez

Member Profile: Ariana Montanez
 
Where are you from?
I’m from East Los Angeles, California
What’s a fun or interesting fact about where you’re from?
There is a rodeo that happens once a year and is very popular.
 
What is your current occupation?
I’m a UX (User Experience Design) and UI (User Interference Design) for Image Conscious Studios in Boston, Massachusetts. I work on web design for companies that are looking for a site that is more information-based, such as a restaurant.
 
Above is an illustration part of a series created by Ariana for an internal marketing project
 
What are you currently working on that you’re most excited about? 
I’m currently excited about two different projects. The first is a client website for a law firm. The firm truly cares about their clients and the owner is very involved in the community, where he does things like teaching previously incarcerated people. The website will also involve the firm’s ‘rethinking of the law model’, something super cool to be a part of. The second project is an illustration project for the company I work for, Image Conscious Studios. It’s all about me and my travels, but it essentially is for our clients to see how we are inspired and the work we do.
 
Biotech Company website Ariana helped create. Check it out here: f1oncology.com
Why did you choose to work from Prague? 
I was just excited to live anywhere abroad, and heard great things from people who had previously visited Europe. I was looking for a city that had a lot of things to do, had great architecture, and was beautiful.
Why did you choose to work from a coworking space?
I really wanted to be more productive because I can get easily distracted at home, and to leave the house to get work done to truly ‘call it a day’ was what I was looking for. I also wanted to meet more people and felt that joining a workspace would be the best way to do that.
Why did you choose Locus in particular?
The community and all of the events that are offered. I love that Locus is not centered around networking, but about building a sense of community.
 
What best describes the kind of location-independent work you do?  
I’m location-dependent when I’m working back in Boston, but I would say I’m Nomadic until I return home.
Before you joined a coworking space, what were the biggest challenges of doing that kind of work?
Productivity is much lower outside of the workspace, and I can be more productive here. There are a lot of distractions outside of the workspace and working from home makes you feel like hermit because you almost never leave.

How have you overcome those challenges?
Joining Locus because I do not have an office here in Prague.

What is the main benefit you’ve gotten working from Locus (not already mentioned above)?
The events have been great. I’ve gotten some good takeaways from them, such as one of the last events about Happiness with David Papa.
 
What’s the best thing about living and working in Prague, from the perspective of being a location-independent professional?
 I’m very affected by the environment that I’m living and working in, so it’s great to be here in Prague where I appreciate the beauty and architecture.

What is a fun fact about you?
I never read the news. I occasionally listen to NPR’s 5 minute daily summary, and if I’m feeling like it, occasionally part of the Morning Edition, but that’s the extent of it. There’s so much else I’d rather focus on, and I’d rather not spend time learning about the latest negative thing that happened. I do love podcasts though, especially ones that center around specific topics. Some of my favorites are: Two Guys on Your Head (super quick explanations about how our brain works), The Leap (stories about people making radical life changes), and Science Vs (tests different fads or concepts against science, i.e. “True Love”)

If you could use one word to describe Locus, what would it be?
Welcoming!

R.I.P. Locus–Muzeum: Part III—OPTIMISM: A Tribute to My Father, Warren Bennis

R.I.P. Locus–Muzeum: Part III—OPTIMISM: A Tribute to My Father, Warren Bennis

N.B. Just to be sure it remains clear, Locus Workspace is NOT closing. We closed our original location at Krakovská 22 near Prague’s Muzeum metro (a.k.a., Locus–Muzeum) in April 2017. Our Vinohrady location at Slezská 45 is alive and well!

——————

This blog post is in large part a tribute to my father, Warren Bennis (1925-2014), who influenced my life in profound ways that I continue to discover. Those closest to him know that even at the end of his life he was the eternal optimist, regularly reporting (and wholeheartedly believing) that he had just had “the best glass of orange juice ever,” “the best day yet.” He would make those statements with conviction, but also with a self-conscious smile, recognizing that we—his audience—might not buy it. “Dad, there is no way you just had the best glass of orange juice ever… again… today,” I would lecture him, thinking I was being a responsible son by letting him know. What he knew, and I was slow to recognize, was that he could. While these might have only been subjective, momentary “best evers,” in the grand scheme of things, the moment, for him, was more palpable and intense than his memories of those past experiences he was comparing it with, and so they were indeed often the best ever. And no upstart, narrow-minded, inexperienced son, who was yet to understand the objectivity of subjectivity, was going to take that away from him! The best thing of all, of course, was knowing that the next day promised to be still better. I love you, Pop.


——————

The story of LocusMuzeum’s closing was largely the story of three distinct emotions: sadness, relief, and optimism. I wrote about the role of sadness and relief in the two previous blog posts. The post about sadness was largely about the meaningful things that happened at LocusMuzeum and the feeling of loss that goes with saying goodbye. The post about relief was largely about the particular difficulties associated with that location and the freedom that closing the doors gave us to put those difficulties behind us. This long-overdue post explains why I feel so much OPTIMISM.

There is one main source of optimism: scaling back helps me find the time and space to transition from being a business manager to being a business leader, from worrying about the day-to-day trivialities of running a business to being able to create and achieve a vision of something bigger that inspires others and keeps the business relevant over time. This transition from manager to leader, “from working for the company to working on the company” (to use the language of Michael Gerber in The eMyth) might be the single greatest challenge to the early-stage entrepreneur. Certainly it has been my greatest challenge in running Locus Workspace.

The day-to-day trivialities are things like answering emails, ordering inventory, marketing, designing the website, building relationships with my members and potential members, invoicing, bookkeeping, and collecting past due payments; hiring, training, or firing employees; maintenance and improving the office infrastructure, noticing the myriad things that matter to customers but that employees don’t have the sense of ownership to care about, etc., etc., etc. Okay, these “trivialities” are not in fact trivial. They are essential things that need to get done for a business to succeed. They are what make good managers so essential to a successful business. And I would guess that almost every beginning entrepreneur works long hours in part taking care of these kinds of things (unless they’re independently wealthy, they have deep-pocketed investors, or they struck gold with such a good idea that caring about quality just wasn’t necessary).

That’s the crux of the problem. It’s hard not to get stuck working every minute of the day taking care of these essential daily distractions, that are in fact far more than distractions: if you (the business owner) don’t do them, the business won’t keep running. But if you do them, they quickly come to take up nearly every second of every day. The obvious solution is to delegate: the CEO shouldn’t be doing these things. And certainly great CEOs are particularly great because they delegate effectively. But knowing and doing are two different things. With a company started on few resources and a philosophy that jumping in and trial and error are the surest road to success, I am in awe of any CEO who can effectively run (that is, manage) their business while also maintaining and communicating a strong vision for that company (that is, lead). Forget about other important aspects of living a good life, like time for family, friends, and exercise.

The idea that leaders and managers are distinguished from each other in this particular capacity is not original. It was introduced to me by my father, who told the story of his own career transition from a manager–leader (president of a large university) back to being an academic in the 1970s. Before that—in the 1950s and ’60s—he had the great fortune to be a young scholar in the fledgling field of management studies, propelling him into what must have been the closest thing academia had to rock-star status. He left that career in the late ’60s, first to serve as provost of social sciences at the University of Buffalo (which evolved into acting executive vice president), and next as President of the University of Cincinnati.

He likes to tell the story—which he told in print in his memoir, Still Surprised: A Memoir of a Life in Leadership (2010)—of a point late in his administrative career before returning to academia, during an invited lecture about life as a university president at the Harvard School of Education. He had a hard-earned gift for communication, with public speaking being the domain he considered his strongest asset. But during this talk, Paul Ylvisaker, at the time dean of the graduate school, perhaps sensing something emotionally discordant, asked, “Do you love being president of the university?” It was not a question he was prepared for, and—caught off guard and at a loss for words—he remained silent to the point of everyone’s discomfort, until he finally responded, “I don’t know.” Ultimately this forced self-reflection and recognition that indeed he was not happy was the catalyst for a big life change. He would have been the first to tell you that it was the best career choice he’d ever made.

That sense of dissatisfaction came from precisely the challenge discussed in the previous paragraphs: he had left academia and the study of management practice to get out of the ivory tower and into the “real world,” to take on a real-life management role and see if his ideas about management could be applied in practice the way he thought they could. He spent almost a decade in that pursuit. But all he was able to find time to do during those years (years when he left for work before I woke up for school in the morning and usually didn’t make it home until after I was long asleep) was manage the day-to-day “trivialities” of administration: reply to complaints, work through piles of papers… put out fires (or so he felt, though he would be remembered far later by the students and junior faculty at the time quite differently).

The insight wasn’t trivial and it wasn’t lost on him. It is the story he tells to explain why he left that work (in an applied leadership position) to return to academia, and how he decided to shift his focus from management to leadership. It launched a new academic career that many would consider the origin story of the field of leadership studies. The motivation was essentially to understand what might separate the job he had been doing as university president (primarily the job of management) from the job he thought he should have been doing, the job that great organizational heads do (what he saw as the job of a good leader), what distinguished effective managers from great leaders. In large part, that is the story of how you move from putting out fires all day to building something great. To quote him: “the manager maintains, the leader develops” (from On Becoming a Leader). He felt he had been maintaining and not developing, and to his credit he took himself out of that context where that was all he could manage to do, and put himself into a context where he could develop.

I had spent much of the seven years before closing Locus Workspace-Muzuem maintaining, constantly aware that I need to be developing, but unable to find the time to do it. The decision to close Locus–Muzeum inspired optimism because it promised time to stop putting out fires and to focus on a bigger vision.

A key insight from my father’s own journey is how important the environment is to one’s ability to make that transition successfully. My sense is that he could not have done it while remaining a university president. The fires would continue to need to be put out. That essential element of time, which all good leaders need in order to reflect on what is most important, to maintain and evolve a strong vision, and to communicate that vision to others, would never be there. So he had the wisdom—thanks in no small part to that one incisive question—to change his environment so that he could change himself.

It is no coincidence that changing one’s environment in order to successfully change oneself is a central theme of this blog post and of the decision to close the original Locus. It is also the original and ongoing motivation behind Locus Workspace itself. Locus—as with most successful coworking spaces—was created with the conviction that the environment is essential to successful location-independent work; even more important than the traits of the workers themselves (except to the extent they have the capacity to choose and create effective environments for themselves).

Freelancers, remote workers, digital nomads, and other location-independent professionals face one of the greatest challenges among all business people becausewithout the right environmentthey are largely alone, their own source of motivation, accountability, and continuing education. We humans, in many ways the most social of the social animals, can’t be our best on our own, no matter how talented or driven we are when we start our solo journey. As my father changed his environment so he could transition from manager to leader (in helping to develop the field of leadership studies itself), coworking spaces like Locus help change location-independent professionals’ environments so they can can work for themselves not by themselves. Closing Locus–Museum reflects a conscious effort to change my own environment so that I can work on my company, not for my company. A good reason for optimism.

It doesn’t hurt knowing that Locus’s next years are probably going to be the best ones yet.

R.I.P. Locus–Muzeum: Part II—RELIEF

On July 8th we posted the first in a series of three blog posts about closing Locus–Muzeum, Locus’s first coworking space. Just to be sure it remains clear, Locus Workspace itself is not closing, just that one location. We are consolidating at Locus’s Vinohrady location at Slezská 45.
The story of Locus’s closing is largely the story of three distinct emotions, sadness, relief, and optimism. The first post explained why SADNESS was so central. This post explains the RELIEF! The next post will share our OPTIMISM about what’s to come.
Given how much personal meaning Locus–Muzeum had for me and all the good things that were part of that coworking space which made closing so hard, why would there also be relief? As with the post describing the good things that made closing sad, there were three main negatives. With the closure of that location, we get to say goodbye to those negative. Aaaahhhhh. Relief. Here they are…

1. Locus–Muzeum was never the ideal coworking space

Locus started at the Muzeum location for many reasons, none of which were because it was an ideal space for coworking. Locus began in a 105 square meter flat. It’s a beautiful, homey flat with three walk through rooms, a jacuzzi-style bathtub, a full-kitchen. The three walk through rooms made it in many ways better for a coworking space than for a flat, but still it was a flat. Not great for events, no good way to expand or even improve the interior meaningfully, no private office options, no place for a future coworking cafe.
So why start with a non-ideal spot? The location was great (a 3 minute walk from the Muzeum metro, couldn’t be more central). The price was amazing (17 000 Kc + 4000 Kc estimated for utilities). And I was committed to starting small and learning from experience rather than trying to get investors and build the perfect model from scratch and find out later that it was the wrong model, or that I just wasn’t suited for the job. For the price and location and style, I hadn’t seen anything close to as nice for coworking in Prague, giving my commitment to starting small and learning from experience. It was the perfect “starter model.”
But from the beginning it was just an experimental “minimum viable product;” a test case to learn how coworking works, to see how it suited me, and to make sure my idea of a “sure thing” social business could actually succeed. Assuming all went well, I expected to move on to a different location after a year or two. From that perspective, closing Locus–Muzeum was a positive step in that direction, it just took a half decade longer than expected.   

2. Adding an extra location seems like it will more than double the value, but take less than double the work. It won’t.

In late 2012 we had 78 members, the space was full, and I had to decide whether to create a waitlist and stop accepting new members, or to expand and open a second location. We weren’t making enough money to justify continuing long-term with just one location, so it was really a choice between expanding then, expanding later, or just closing down. I decided it was the right time to expand.
Part of my reasoning about expanding was the idea that having two locations in Prague would add value to each member and to each location: members would have the option to work from more than one place (for a small extra fee), and the marketing put toward either location would add value to the other one. Along with the synergy expected from a 2nd location, it also seemed like there would be much less work per space. We could have events at one location or the other, we could use the same cleaners at a discount price, interns would have no difficulty moving between spaces if needed since the systems were the same, accounting, legal advice, etc., would essentially be for the same business.
I also decided to increase prices for new members. Prices were in fact too low to make this a sustainable business, and I thought with the added value and expected added exposure, this would be a good time for a price increase. Given what I knew then, I think it was (mostly) a good decision.
Given what I know now, it was a terrible decision. Thank you, Berta, Locus’s employee at the time, for working through the most difficult time in Locus’s history and putting up with me during the most stressful period this business owner has yet experienced. So why were these decisions (to expand and increase the prices) so bad?
First of all, we decided to expand right at Locus’s peak (though I didn’t know at the time it was a peak). Shortly after signing the contract, we lost about 25% of Locus’s membership. Some left because of the season (I now know there’s always a downturn at the end of the calendar year for several months into the new year), some left because the space was fuller than ever and they wanted to work from a less-crowded space, and some because a tight-knit group decided to get a private office together and some of their colleagues moved along with them. The loss in members—I think without any other loss in quality—made the space significantly less attractive as a coworking space.
And just as that new reality hit, it was time to open the new location. Already there were too few members for the original location, but I remained hopeful that the expansion and the change in seasons would lead to the growth we expected. Of course the expansion didn’t work that way.
Many members from the old location moved to the new one, making the original location even less “coworking like”, but not enough to give the new space more than a mostly empty feeling. A big part of what people pay for when they join a coworking space is the community, or at least the social setting, working productively alongside others with that motivating social pressure and the comfort of not being alone. Almost overnight, that was gone.
When we originally opened Locus, we explicitly set full-time membership at half-price, making it clear that it was a special price to compensate for the fact that we didn’t yet have the community that gives a big part of the value to coworking. That worked wonderfully and we were able to double prices later without any surprise to our members or any net loss in memberships.
But now we were already charging full price and suddenly we didn’t have enough members either location to feel like a healthy coworking space. We couldn’t turn back the prices without a LOT of work and a big loss from our existing members, and we needed the money. For the first year or so of having the 2nd location open, we were very near to deciding to close the new location on more than one occasion. It remained far less full than the original and cost more to operate. That didn’t help member comfort, since of course the members want to know their office is not on the verge of closing from day to day.
But then something changed. The new location gradually became more popular and profitable than the original, and that trend just continued over time, until the new Locus (objectively a better place for coworking) was doing great in its own right. The original location, on the other hand, never recovered.
A second big problem with the expansion was that rather than adding value, the two locations seemed to reduce the value. Almost no one worked at both locations, and we had very little success signing up new members (for the first time in our history, we didn’t get a new member for more than a month). Unfortunately, I made the novice mistake of changing two things at the same time, increasing the prices and opening a second location. Along with the decrease in community in both locations, this made it difficult to guess well about what caused the stall in new memberships. I think all three changes were part of the cause.
The price change was an obvious culprit. It’s the only reliable metric people thinking about joining a coworking space can use before they actually visit a space (and most people don’t visit more than one or two spaces), since you need more than a tour to get a real feel for the community. We cater to freelancers and other location-independent professionals, and that particular demographic also thinks about the cost of an office more than, say, your average Silicon Valley billionaire.
But the price increase wasn’t so extreme and it didn’t make sense to me that it would have such a large impact. Counterintuitively, I think the bigger culprit was paradox of choice: members had to pick a home location and pay a 5% surcharge to use both locations. I thought the price was so small it would only stop people who wouldn’t use a second location at all. But in fact almost no one wanted to use both locations, so even the 5% surcharge was enough to think twice. More than that, though, just having to choose a location added a step in the decision process. Perhaps it was easier not to make a choice at all, and just try a different coworking space instead. Well there’s a hypothesis anyway. Thankfully, it was relatively easy to address both problems. The price change only affected new members, so we rolled back prices to the pre-expansion rates. We removed the paradox of choice by dropping the need to choose between spaces altogether. All members could work at either location, no surcharge. Almost immediately, new members started to roll in. Of course, with a lot more experience now, I recognize it all could have been due to the change in the season, chance, and other events outside my frame.
But there were other costs to the split locations. We had to choose which improvements to make where, and which events to hold where, and in general the two spaces were different, with distinct pros and cons. Many members would perceive an improvement or an offering at one location as a kind of diminished relative value of their own location, so there was a real sense in which we had to strive to offer the same kinds of activities at each location, even though the demand wasn’t there and the expenses and work would be much higher. As such, the fact that the two spaces were working largely as a single coworking membership meant a meaningful loss in perceived value for everyone. Furthermore, since the managers had to worry about two spaces across town, it also meant a large objective increase in work for us and a drop in the quality of service provided to either space. And members felt the difference.
It eventually became clear that either the two locations should be completely separate entities, or they just shouldn’t be located in the same town at all. For this reason alone, I decided it would be better to have a single great space than to have two separate spaces each trying to do part of the job. A better experience for members, a better coworking space, and more time for me to think about the bigger picture rather than day-to-day management issues. Another reason it felt right to close Locus–Muzeum.

3. Oh the power of a bad building owner.

There’s lots to be said for leasing rather than buying the building where you run your business, particularly if it’s in a rapidly developing industry like coworking and you’re still learning about how to run the business. The obvious benefit is cost: we couldn’t have afforded to buy our building even if we’d wanted to. And, of course, as an entrepreneur learns over time what they want from the business, the ideal location is apt to change. It is nice to have a relatively easy option to move.
That said, there are many costs to not owning the property. There are many decisions about access to the space and the kinds of services you can provide that depend on the good will of the building owner (or a really good original contract). What’s more, as many people with experience in the coworking industry can attest, the building owners are often not the upstanding citizens we first take them to be. Many coworking space owners have told the story of their landlord or landlady deciding that coworking seems like a very nice business model and deciding to ramp up the rent or just open a competing space with better terms in the same building. Alternatively, the rents may just go up on their own, or the owner may decide coworking is not a good fit for their building and make the life of the tenant difficult, even if the contract is long term and doesn’t permit raising the rent.
In Locus’s case, the owner—or perhaps the new property management company that took over for the owner—simply began to do a series of harmful things for our business and refused to communicate about it or help remedy it. Try as I might, I could not come up with a reasonable story about why it was happening, so I made up unreasonable stories (hey, they’re the best I had). If they wanted higher rent or just wanted us out of the building, they could have simply raised the rents or ended our lease agreement, which was only on a year-to-year basis as it was. Instead, they just started to act like slum lords.
They changed the bells for each flat to a system that made events in the space extremely hard to manage, and refused to let us pay for our own bell system to solve the problem. They took promised advertising space off the outside of the building and gave it to other tenants without telling us. The heat stopped working in winter, for 1.5 months, and we had to battle to get space heaters that would warm the rooms enough for people to work, much less to get reimbursed for the costs. They stopped paying for interior repairs that were part of the contract or verbal agreements. They invoiced Locus for private contracts they had with Locus’s members, and they invoiced us for other services they never provided. And in every case, just to get a response about the issues often took weeks or months. It came to the point where we could not make improvements to the interior without the sense we were putting it toward a lost cause, and Locus’s Muzeum members were left with the general sense that we might announce the closing of the business any day, since it was true. After about four years of what had been a great relationship with the property manager and the building owner, a change in management and the unwillingness of the owner to discuss any of it with us precipitated a complete breakdown in our ability to manage the space.
It must be true in every business, but it is no less true in the coworking business: a bad landlord/landlady can be a catastrophe. It was clearly time to leave. I cannot do justice to the sense of relief we felt in finally closing Locus’s Muzeum location just with respect to allowing us to end an unstable business relationship. Since it was due time to close Locus–Muzeum anyway, we owe a big thank you to the property owner and the management company for making that sad reality feel like such a great relief!
Next Post: R.I.P. Locus–Muzeum: Part III—OPTIMISM. Why we are so excited about what’s to come!

Member Profile: Jon Brooks

Jon Brooks is an entrepreneurial thinker and writer for highexistence.com, a self-improvement website aimed to show people the way to a more enlightened lifestyle with ideas and practices influenced by the ancient philosophy of Buddhism and Stoicism. He grew up in a small village in the countryside of Wales, called Troedyrhiw, and studied film at the University of Glamorgan Atrium in Cardiff. Read on to learn more about Jon’s fascinating work and how he ended up at Locus Workspace in Prague.
 
Why did you come to Prague?
I was living in Amsterdam for a few months and I was very happy there, but my friends and I
took a trip to Prague for a few days and I really liked it here. I really like the architecture and the cobbled streets and the general atmosphere. I thought, Yeah I could live here. I went back to Amsterdam and “coincidentally” met a girl from Prague. She moved home and we started dating. I decided I was going to come to Prague.
What is your current occupation?
I would say my job is entrepreneurial, so I spend a lot of time at the moment doing product design, developing products and courses based around self improvement, philosophy, and spirituality. I am also always looking for ways to market content and reach a wider audience. I write and edit articles, do a little bit of design and copywriting.
 
Check out Jon’s website here

How did you get into this field of work?

Read more about Jon’s journey here

A couple of years ago, I started my own blog while living in Wales with my parents. Just for some fun, I thought I would write an article on meditation. I posted it on reddit and the article got a couple hundred upvotes. The next day, I received a message from Marijn Schirp, the co-owner of highexistence.com, asking if they could share my article on his website. We continued to talk over the next few months and eventually he asked me if I would like to be an editor of highexistence.com. I decided to take the opportunity. At that time, there was one other editor of the site and the co-owner decided it would be a good idea to use this as a test. He said if you guys could double the revenue of the website’s monthly sales, we will give you shares in the website and keep running it, but if you fail, then we will just sell it. Thankfully, we hit the goal we set out for.
Has this field of work been a passion of yours all along?I believe that everybody has certain core values based on their personality type and they need to do work that uses those core values. It doesn’t necessarily matter specifically what type of work that is. I knew I needed to do something creative, to have a creative job. I’ve always done art and I did my degree in film and specialized in script writing. I never thought that I would be a blogger, but I did want to be a writer. With the job that I have now, I get to make films, write scripts, develop ideas, sketch, etc. It’s a nice all around, jack of all trades position.
What are you currently working on?
30 Challenges to Enlightenment
Right now, we are working on our first ever Kickstarter course. Highexistence.com has been around for nine years or so, but we didn’t start selling products until two years ago. We released our first major product, which we spent over six months working on, a year ago. The course is called 30 Challenges to Enlightenment and it is a spiritual obstacle course. We give people 30 day challenges, which include meditation, fasting, compassion and so on to help them become more enlightened versions of themselves over a period of time. The course was very successful; over two thousand people have taken it. Some people are averse to the notion of spirituality, because they associate it with being a hippie or just “whoo whoo” nonsense. To change this association, we decided to create a new course through the filter of Stoicism, a Western version of Buddhism. We are going to create a Kickstarter course called, The Stoic Obstacle Course. It will be comprised of a journal, an accountability group for people to hold each other accountable, and a progress chart.
What part do you play in these projects or products?
I am more of the concept, ideas character. I bring the rough building blocks and my coworkers help refine and strategize the next steps. What motivates me, simply, is just that I like being creative. For me it is intrinsically enjoyable to make something, and even more enjoyable to make something useful.
Do you have a favorite project you’ve worked on?
The main project I am very proud of is our 30 Challenges to Enlightenment Course. We had a small team and we took some risks that worked out.
How did you get into coworking?
When I was in Chiang Mai, Thailand, I didn’t find any decent cafes to work in and someone suggested that I use a coworking space. I did some searching and found Punspace, a coworking space in Chiang Mai and ended up loving it. One of the curses of creativity is that it is associated with low conscientiousness which means that you get distracted easily. It makes sense, because when you are creative, you are constantly thinking outside of the box and joining random ideas together. If you need to sit down and work solidly on something for an extended period of time, it is easy to get distracted in a place like a cafe.

How has coworking impacted your work (work style, projects, networking)?
We recently had a sale on highexistence.com and just working here, at Locus, allowed me to put in a lot more productive hours that I wouldn’t have been able to do at a cafe. The sale only lasted a few days, so I didn’t mind over working. Having the freedom to leave the office late at night and the availability of fast internet was really helpful. Also, I really like being able to leave my work in the office after stepping out. I think coworking spaces allow you to have this boundary between your work and nonwork life.
Why did you choose Locus?Two weeks ago I moved ten minutes away from Locus, so I looked it up online, saw the five star reviews
and here I am.
What is your favorite part about working at Locus?
I think that the people who work here are really friendly, welcoming, relaxed and helpful.
There’s a nice balance between being super productive and not being productive at all. The atmosphere
in Locus is productive and efficient, but warm at the same time.
What is a fun fact about you?
For some reason, I can remember everybody’s eye color, even if it is one person I met for five seconds, one month ago.
If you could use one word to describe Locus, what would it be?
Friendly

Member Profile: Beth Green

Beth Green is a freelance writer and cherished member of Locus Workspace. She comes from the western United States and has been living overseas since 2003. We wanted to find out a little more about Beth’s journey – as a traveler, a writer, and an avid participant of National Novel Writing Month. Read on to learn more about Beth’s passion for writing, her take on Locus Workspace, and the impact National Novel Writing Month (and writing in general) has had on her life.
What is your occupation?
I am a freelance writer and most of my clients come to me for copy writing, copy editing, or proofreading. I also do some consulting for small businesses. I really enjoy doing a variety of projects, ranging from writing brochures to grants to proofreading academic papers. Basically, if it has to do with words, in English, I try to help.
How did you get into this field?

I trained as a print journalist. I worked at a newspaper before I moved abroad. I actually taught English as a Second Language for about ten years. Teaching, however, takes a lot of energy. I started getting burned out and saw that I wasn’t benefiting my students. Then I decided to take the skills from journalism and teaching and channel them into communications.

 

Was writing a passion of yours all along?
Since I was maybe eight years old, I knew I would be a writer. After I moved overseas, I kept a travel blog pretty faithfully for about six years, and that was also the first niche for me as a freelance writer. I don’t do that kind of writing so much now.
What are you currently working on?
Right now I am working with a grant writer in the US, helping her with research and editing grant documents, which has been rewarding. I have other clients and projects, but some have to remain private. I also have an ongoing relationship with the First Medical Faculty at Charles University. I review papers for a group of research scientists before they send them out to journals. I should also remember to say I have been lucky enough to get business by word of mouth through Locus and assisted several Locus members with their projects. Thanks, guys!
What is a fun fact about you?
I have the cutest cat in Prague (pictured below). Her name is Nymeria (character from Game of Thrones).
Bonus fact: I grew up on a sailboat.
 
How did you get into coworking?
Well, I’ve lived in Prague twice. I came back the second time for my husband’s job, and it was a bit rushed. We slept on a friend’s floor for a couple months before we had our own housing. Needless to say, her apartment was not the best working environment, so I looked into workspaces right away. During that first year back in Prague, I kept full-time Locus membership. Now I am a virtual member, but it is nice to be able to switch memberships since my work flow tends to change depending on the season. I like that the space is here when I need it.
Why did you choose Locus Workspace?
I joined Locus in 2013. There were two clear choices for me at the time (both of which I found online), but I liked that Locus seemed more geared towards English speakers. When I toured the space, everyone was really friendly.
What is your favorite part about working at Locus?
I really like meeting people and that the space is clean and well-lit, the desks and chairs are comfortable, and there’s a kitchen. I feel like it removes all the stress that can come from working in a café (like the power plug problem, the wifi connection problem, etc.).
If you could use one word to describe Locus, what would it be?

Welcoming.

 

On Writing and National Novel Writing Month

 

What motivates you to write?
This is the eternal question for a lot of writers and it is not easy to answer. Though I’ve been writing since childhood, I didn’t see myself as a fiction writer for a long time. Just about the same time I started NaNoWriMo, I started writing fiction. Writing a story that is long and completely from your own inspiration is really daunting, especially at the beginning. This is one of the reasons I like NaNoWriMo, because the challenge to write 50,000 words in a month pushes you and gives you a space to experiment with this long-form, imaginative writing.
Do you have a favorite project you’ve worked on?
Most of my fiction projects are crime fiction – mystery, thrillers, suspense. A big theme I tend towards is cross-culture topics, not necessarily having to do with borders but also people who are outside of their norm and trying to survive in an environment they are not comfortable in. For example, I have a story about an inept assassin that was published in an anthology earlier this year and it is about this woman who tries to do a job she really is not suited for.
 
Interested in Beth’s work? Take a peak at her anthology here.
When and why did you start being involved in NaNoWriMo events?
I’ve been attempting NaNoWriMo since 2003, and with each attempt I became more convinced I could actually do it. I think if you got a group of ten people together and asked them if they ever thought about writing a novel, probably all of them would say yes. Everybody has an idea for a novel or screenplay or some sort of story that they would like to tell and so of course I had that too. NaNoWriMo gave me a space to experiment. Not all of my projects from NaNoWriMo have been spectacular, but all of them helped me learn something, either about myself or about writing.
What has been your favorite/most impactful experience during NaNoWriMo?
I moved to China in 2006, where I lived in a town with few foreigners in it. Because NaNoWriMo is web-based, I was able to connect with other people, both foreigners and Chinese who were English speakers. After two months of living there, I was a little bit lonely and so it was really nice for me to meet other people that shared passion for writing with me. We all went to Starbucks, something familiar, and got together to write novels. It was really nice to know that I could find something I enjoyed in Prague, in the United States, anywhere. I think that is something very cool about NaNoWriMo, that no matter where you are in the world, you can find other people who share your interests.
What advice would you give to people who are interested in NaNoWriMo or writing in general?
A lot people get hung up on the rules of NaNoWriMo – the idea is that you are supposed to sign up and write 50,000 words in a month. A lot of people look at that, and think, Oh my goodness I am never going to write 50,000 words. But, I think that you need to approach it as guidelines rather than rules and I think those people with self-doubt about writing that many words should look at it more like an opportunity to write more than they would have without the challenge. Maybe you won’t write 50,000 words, but if you get to 10,000, that is 10,000 more words than you would have written otherwise. For example, my goal this month is to get to the end of the story arc and if I happen to write 50,000 words along the way, that’s great. So to me, NaNoWriMo is a self-improvement exercise as well as a creative exercise.
Want to hear more from Beth? Read her blog post on NaNoWriMo here.